The Surprising Difference Between Stephen Colbert and Jimmy Kimmel — Colbert Can Actually Interview
Screengrab via The Late Show with Stephen Colbert/CBS
I happened to watch “Colbert” last Wednesday night. Now, watching the 11:35 late night shows isn’t something I normally do, but I caught the show after the monologue so decided to stay tuned in.
That night Stephen Colbert was scheduled to interview country music icon Willie Nelson in one segment. The interview, though, wasn’t in the usual setting: it took place in the musician’s tour bus parked in an alley outside the Ed Sullivan Theatre studio where the show is taped.
As I said, I hadn’t watched Colbert in quite a while. And he surprised me. He did a good job on the interview. It made me stop and wonder something: does his in-studio audience goad him into his worst instincts? I fell into that thought because most of the Nelson interview, you could barely hear the live reactions from them back in the studio.
One thing that may have helped Colbert’s delivery was that Nelson is genuinely funny, and has no trouble poking fun at himself and his persona. That allowed Colbert to play things straight. He didn’t have to be funny.
During a commercial after the segment, I happened to flip over to Jimmy Kimmel’s show. He was interviewing actor Peter Dinklage from “Game of Thrones.”
Keep in mind, this was two nights after this year’s Emmy Awards, with Henry Winkler‘s long-past-due, first win for supporting actor – something people were still buzzing about.
When I joined the interview in progress, Dinklage was telling Kimmel about his upcoming role in a biopic of actor Hervé Villechaize. After the host brought up a movie Villechaize co-starred in with Winkler, the actor began to tell the audience about meeting Winkler backstage at Monday’s Emmys. But before he could do that, Kimmel cut him off — talked over whatever he was trying to say — and rudely steered Dinklage back to the biopic.
Quibble if you like about Stephen Colbert’s skills as a comedian. Like Johnny Carson before him, he makes up for it by knowing how to let his guests — you know, the people the audience members tuned in to hear from — talk.

Ed Helms (Kennedy cousin Joe Gargan)
and Jason Clarke (Teddy Kennedy) in “Chappaquiddick”/
Entertainment Studios Motion Pictures
In his April review of the Senator Edward Kennedy biopic Chappaquiddick, commentator Mark Steyn admitted that he had “minimal expectations” for how the filmmakers would handle the story of the tragic death of Kennedy campaign booster Mary Jo Kopechne. He wrote on Steyn Online:
But utter contempt for your protagonist doesn’t make for very interesting drama. So it is to the film’s benefit that its director, writers and Jason Clarke in the lead role manage to locate enough humanity in the empty waddling husk of Teddy to make a compelling story.
I think they were lucky to find any. And maybe surprisingly, that’s something which the movie neither revels in nor tries to smooth over. I rushed to see the film after Steyn’s review noted that its creators made a bold choice: to give a dispassionate narrative of what happened that night and its human toll. And while doing that, they use a set of scales wrought from the genuine weight of humanity and personal responsibility — not the outcome of a political contest.
In 1999, a film based on Patricia Highsmith’s suspense series, The Talented Mr. Ripley, portrayed a scheming, young American who put on others’ identities because he was loathe to live out his own destiny. In Chappaquiddick, we meet another man in a similar sort of trap, but here, Teddy Kennedy’s dilemma has a twist.
He can’t seem to manage to pin down a personality.
Why? His life depends on doing whatever it takes to please others; because to Teddy, being disliked is worse than almost anything. So, he reckons, he’ll put in just enough effort to reach others’ low expectations of him. Someone else will take care of any fallout. They always have. It leaves the man with a self-worth that’s so flimsy, it might collapse on itself.
None of this is shown through a news reporter’s lens, with an outsider’s rose-colored view of events — and of Kennedy. No, that task was fulfilled by Kennedy cousin Joe Gargan, who acts as Teddy’s shadow and “fixer.” Ed Helms, sometimes with just one well-timed glance, is the counterpoint to the film’s cold, unflinching, tone. He allows audience members into the inner circle, and to experience – almost in real time – his gutwrenching emotions. Helms is someone to watch.
In another ingenius stroke, the movie doesn’t let the Kennedy political dynasty off the hook, either — sure, Ted Kennedy was able to remain in the Senate up to the time of his death. But the brass ring that represented success to his family sunk inside that car on Martha’s Vineyard along with Mary Jo’s body. And Teddy knew it.

STX Entertainment
On April 25, culture writer Kira Davis wrote after seeing I Feel Pretty, the new Amy Schumer movie:
Schumer fans had high hopes for her latest project, I Feel Pretty. Unfortunately, before the film even debuted it received a remarkable amount of blowback from the feminist set, and even people like myself. Here was a movie about a relatively thin, cute white girl playing an “ugly” girl who then comes to find confidence by seeing herself as a thin, cute white girl. Schumer is no chubby chick.
By normal American standards she is at least completely average weight-wise, perhaps even above-average. She may not be a super model, but she’s not the type of woman who would be considered “gross” by any stretch of the imagination – not physically, anyway. How insulting that Hollywood would try to thrust this woman upon us in yet another of their disgustingly unrealistic standards of beauty!
Then I went to see I Feel Pretty for myself. Though I’m loathe to admit it, I have to say…I was wrong.
I laughed a lot when I saw Trainwreck, for sure (how can you resist Colin Quinn in that role?). But like Davis, I never expected to like another movie with Schumer in it.
There’s something different about this one: it wasn’t written or even co-written by the comedian. Who did write it? Marc Silverstein and Abby Kohn, the same writer/director team who brought you Never Been Kissed. Yes, the charming Drew Barrymore movie. That fact alone explains why there are softer, dramatic parts here.
Never expecting to see the movie, I joked with friends that it was probably a copycat of Shallow Hal, the Jack Black, Gwyneth Paltrow comedy (that Jason Alexander stole…) about an arrogant man who accidentally gets hypnotized during a chance meeting with self-help guru Tony Robbins into thinking all women are slim and attractive. But it wasn’t anything like that movie. I Feel Pretty was smarter than that.
But someone at the studio screwed up on the marketing here. The trailer should have had a scene with Schumer and Michelle Williams (yes, the same Michelle Williams who was nominated for an Oscar a year back). Williams was also in All the Money in the World within the past few months, proving that she’s practically the Meryl Streep of her generation. You can read more about Williams’ tour de force role, Avery LeClair, from Indie Wire’s Kate Erbland. I purposely put a photo of Williams up top, because I figure no one knows she’s in this movie.
It makes me sad that many Generation X members (like myself) will write this off as another movie by someone whose politics they disagree with. But what’s sadder is that Hollywood’s forgotten how to sell a heartfelt comedy. What about Sally Field in Murphy’s Romance, or Melanie Griffith in Working Girl? Or, more recently, Renee Zellweger in Bridget Jones’ Diary?
No, in their laziness, they sold it as Bridesmaids with an exercise bike.
As Davis explained:
I Feel Pretty isn’t a movie about a perfectly fine-looking white girl playing an ugly girl transforming into a supermodel, it’s a movie about having the confidence to accept yourself as you are.
Am I saying that I Feel Pretty was perfect? No. It had a few false notes.
But there’s no denying that I cried about two or three times — because Schumer’s character went through real-life situations that plus-sized women do every single day. It hurt to see things I recognized on the big screen. But what hurt even more is that the people who make the decisions on how to sell movies today don’t have faith in its audience that it can support smart comedies.
It’s a shame.
Update: In another potential blow to the film’s marketing, Amy Schumer was forced to cancel the U.K. press tour because she came down with a kidney infection, Digital Spy reports. As she told fans on social media Friday:
Here’s what I’ve been up to this week. I was hospitalized for 5 days with a horrible kidney infection.
I want to give a big thank you to the doctors, the bad ass nurses also my husband who’s name is, i want to say, Chris? and my sisters Kimby and mol who have been by my side the whole time.
I wanted to share this with you because this is sexy as hell but mostly because I was meant to go to London for the opening of I Feel Pretty and my doctors have told me that’s a no go. I’m really disappointed selfishly to miss this trip because I love London and Europe in general and all the great people (food) there.
But I need to put my health first. I am so grateful for all the support the movie is getting. I hope people check it out in England and everywhere else in the world. It’s sweet and fun and you will walk out feeling better. Which is something I hope to feel soon too.
I hope people check it out, too, Amy. Get well!